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Occasional Papers Sorted By Volume
| Occasional Paper | Author | Title | Page |
| 1 | Anderson, Bruce A. | National Park Service Studies for the Proposed West Mesa Petroglyphs Near Albuquerque | 37-40 |
| 1 | Bednarik, Robert G. | Rock Art Conservation and Protection in Australia | 43-47 |
| 1 | Bock, Frank, moderator and et. al. | Conservation and Protection Symposium Panel Discussion | 75-89 |
| 1 | Cartwright, Chas | Graffiti Removal Strategies at Two Sites on the San Juan River: A Cautionary Tale | 61-63 |
| 1 | Crotty, Helen K. | References Sited and Selected Bibliography | 91-104 |
| 1 | Hedges, Ken | Ethics of Rock Art Research | 35-36 |
| 1 | Lee, Georgia | Problems of Conservation and Preservation of Rock Art on Easter Island | 49-53 |
| 1 | Mark, Robert K. and Newman, Evelyn B. | Some Observations on Rock Art Conservation in Spain | 65-70 |
| 1 | Payen, Louis A. | Rock Art Conservation and Protection at Indian Grinding Rocks State Historical Park, California: Some Initial Observations | 55-59 |
| 1 | Pilles, Jr., Peter J. | Public Education and the Management of Rock Art Sites on the Coconino National Forest | 23-34 |
| 1 | Ritter, Eric W. | The Bureau of Land Management and Rock Art: Protection, Conservation and Understanding in the 21st Century | 41-42 |
| 1 | Rolf, Stanton | Brownstone Canyon Archaeological District: A Cultural Resource Management Plan | 71-73 |
| 1 | Silver, Constance | Rock Art Conservation in the United States: Wish or Reality | 3-15 |
| 1 | Stanley Price, Nicholas | What Makes a Conservation Treatment Acceptable or Not? | 17-22 |
| 2 | Coy Jr., Fred E. | Petroglyphs and Pictographs in Kentucky | 87-98 |
| 2 | Diaz-Granados, Carol | Missouri's Petroglyphs and Pictographs: Overview of a Statewide Survey and Analysis | 81-86 |
| 2 | Faulkner, Charles H. | Rock Art in Tennessee: Ceremonial Art in this World and the Underworld | 111-118 |
| 2 | Hedden, Mark | 3,500 Years of Shamanism in Maine Rock Art | 7-24 |
| 2 | Henson, B. Bart | Rock Art Distribution in North Alabama as a Function of Motif Style | 119-126 |
| 2 | Hockensmith, Charles D. | Circle and Line Petroglyphs: Historic Carvings Mistaken for Prehistoric Petroglyphs | 99-110 |
| 2 | Hranicky, Wm. Jack | Virginia's Prehistoric Observatories | 131-136 |
| 2 | Lenik, Edward J. | Sacred Places and Power Spots: Native American Rock Art at Middleborough, Massachusetts | 25-37 |
| 2 | Lowe, David C. | Ancient Images of Wisconsin | 39-46 |
| 2 | Mooney, Richard M. | Petroglyphs and Archaeoastronomy in Tennessee | 127-130 |
| 2 | Swauger, James L. | Petroglyphs, Pictographs, and the Last Thirty Five Years | 3-6 |
| 2 | Wagner, Mark J. | Written in Stone: An Overview of the Rock Art of Illinois | 47-79 |
| 3 | Dowson, Thomas A. | Off the Rocks, onto T-Shirts, Canvasses, etc. . . Power and the Popular Consumption of Rock Art Imagery | 1-14 |
| 3 | Labadie, John A. and Labadie, Joesph H. | Parietal Works of the Signifying Animal: Rock Art as a Resource and as a Cultural Responsibility | 15-19 |
| 3 | Lever, Janet | Rock Art, Art, and Ethics: A Personal Response | 21-27 |
| 3 | Welsh, Peter H. | Commodification of Rock Art: An Inalienable Right | 29-37 |
| 5 | Rowe, Marvin W. | Fresh Voices for Rock Art | ix-xii |
| 5 | Griffith, Cameron S., and Sarah M. P. Jack | Monumental Modified Speleothem Sculpture: New Patterns in a Class of Ancient Maya Cave Art | 1-16 |
| 5 | Steelman, Karen L., and Marvin W. Rowe | Dating Pictographs: Independent Dates and Their Implications for Rock Art. | 17-26 |
| 5 | Morales, Jr., Reinaldo | The Angelim Style and Northeast Brazilian Rock Art | 27-40 |
| 5 | Blanshard,Andrew | A Stylistic Chronology of Maori Rock Art in the South Island of New Zealand | 41-50 |
| 5 | Patterson, Carol | A Study of gestures in Anthropomorphic Figures in Rock Paintings of Cape York Peninsula, Australia | 51-64 |
| 5 | Barry, Michael, and John Clegg | Snames and Science | 65-80 |
| 5 | Johnson, Melissa | Spatially Analysing Rock Art Sites within a GIS: A Preliminary Report | 81-92 |
| 5 | Riel-Salvatore, Julien | Limitations of Shamanistic Interpretive Models for southern Africa and Upper Paleolithic Rock Art | 93-100 |
| 5 | Huang, Jennifer K. K. | Conservation Efforts on the Engravings of the Cða Valley Archaeological Park, Portugal | 101-114 |
| 5 | Harrison, III, James B. | Anthropomorphizing the Landscape: The Pecos River Style Core Motifs | 115-134 |
| 5 | Duncan, Kenneth Y. "Woody" | A Study of Design Element Patterns Associated with Petroglyph Faces Bisected by Rock Angles at Archaeological Site LA 9064 | 135-148 |
| 5 | Olsen, Nancy H. | Learning from Images in Context: Theory Building for Rock Art in Archaeology | 149-162 |
| 5 | Wintcher, Amanda R. | Rock Art and Landscape in the Piñon Canyon Maneuver Site Southeast Colorado | 163-182 |
| 5 | Merrell, Carolynne L. | Location Location Location: Rock Art as Sacred Geography | 183-196 |
| 5 | Huang, Jennifer K: K. | Content-Context Relationships in the Rock art of Chavez Pass, North-central Arizona | 197-210 |
| 5 | Sells, Lorelei | Moving Mountains" to Provide Access to Rock Art: Multi-media Interpretation of the Hedgpeth Hills Petroglyph Site | 211-220 |
| 5 | Colwell-Chanthaphonh, Chip | Footprints of the Hisatsinom: Hopi Interpretations of Ancient Images in the San Pedro Valley of Southern Arizona | 221-228 |