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Occasional Papers Sorted By Author
| Author | Title | Occasional Paper | Page |
| Anderson, Bruce A. | National Park Service Studies for the Proposed West Mesa Petroglyphs Near Albuquerque | 1 | 37-40 |
| Barry, Michael, and John Clegg | Snames and Science | 5 | 65-80 |
| Bednarik, Robert G. | Rock Art Conservation and Protection in Australia | 1 | 43-47 |
| Blanshard,Andrew | A Stylistic Chronology of Maori Rock Art in the South Island of New Zealand | 5 | 41-50 |
| Bock, Frank, moderator and et. al. | Conservation and Protection Symposium Panel Discussion | 1 | 75-89 |
| Cartwright, Chas | Graffiti Removal Strategies at Two Sites on the San Juan River: A Cautionary Tale | 1 | 61-63 |
| Colwell-Chanthaphonh, Chip | Footprints of the Hisatsinom: Hopi Interpretations of Ancient Images in the San Pedro Valley of Southern Arizona | 5 | 221-228 |
| Coy Jr., Fred E. | Petroglyphs and Pictographs in Kentucky | 2 | 87-98 |
| Crotty, Helen K. | References Sited and Selected Bibliography | 1 | 91-104 |
| Diaz-Granados, Carol | Missouri's Petroglyphs and Pictographs: Overview of a Statewide Survey and Analysis | 2 | 81-86 |
| Dowson, Thomas A. | Off the Rocks, onto T-Shirts, Canvasses, etc. . . Power and the Popular Consumption of Rock Art Imagery | 3 | 1-14 |
| Duncan, Kenneth Y. "Woody" | A Study of Design Element Patterns Associated with Petroglyph Faces Bisected by Rock Angles at Archaeological Site LA 9064 | 5 | 135-148 |
| Faulkner, Charles H. | Rock Art in Tennessee: Ceremonial Art in this World and the Underworld | 2 | 111-118 |
| Griffith, Cameron S., and Sarah M. P. Jack | Monumental Modified Speleothem Sculpture: New Patterns in a Class of Ancient Maya Cave Art | 5 | 1-16 |
| Harrison, III, James B. | Anthropomorphizing the Landscape: The Pecos River Style Core Motifs | 5 | 115-134 |
| Hedden, Mark | 3,500 Years of Shamanism in Maine Rock Art | 2 | 7-24 |
| Hedges, Ken | Ethics of Rock Art Research | 1 | 35-36 |
| Henson, B. Bart | Rock Art Distribution in North Alabama as a Function of Motif Style | 2 | 119-126 |
| Hockensmith, Charles D. | Circle and Line Petroglyphs: Historic Carvings Mistaken for Prehistoric Petroglyphs | 2 | 99-110 |
| Hranicky, Wm. Jack | Virginia's Prehistoric Observatories | 2 | 131-136 |
| Huang, Jennifer K. K. | Conservation Efforts on the Engravings of the Cða Valley Archaeological Park, Portugal | 5 | 101-114 |
| Huang, Jennifer K: K. | Content-Context Relationships in the Rock art of Chavez Pass, North-central Arizona | 5 | 197-210 |
| Johnson, Melissa | Spatially Analysing Rock Art Sites within a GIS: A Preliminary Report | 5 | 81-92 |
| Labadie, John A. and Labadie, Joesph H. | Parietal Works of the Signifying Animal: Rock Art as a Resource and as a Cultural Responsibility | 3 | 15-19 |
| Lee, Georgia | Problems of Conservation and Preservation of Rock Art on Easter Island | 1 | 49-53 |
| Lenik, Edward J. | Sacred Places and Power Spots: Native American Rock Art at Middleborough, Massachusetts | 2 | 25-37 |
| Lever, Janet | Rock Art, Art, and Ethics: A Personal Response | 3 | 21-27 |
| Lowe, David C. | Ancient Images of Wisconsin | 2 | 39-46 |
| Mark, Robert K. and Newman, Evelyn B. | Some Observations on Rock Art Conservation in Spain | 1 | 65-70 |
| Merrell, Carolynne L. | Location Location Location: Rock Art as Sacred Geography | 5 | 183-196 |
| Mooney, Richard M. | Petroglyphs and Archaeoastronomy in Tennessee | 2 | 127-130 |
| Morales, Jr., Reinaldo | The Angelim Style and Northeast Brazilian Rock Art | 5 | 27-40 |
| Olsen, Nancy H. | Learning from Images in Context: Theory Building for Rock Art in Archaeology | 5 | 149-162 |
| Patterson, Carol | A Study of gestures in Anthropomorphic Figures in Rock Paintings of Cape York Peninsula, Australia | 5 | 51-64 |
| Payen, Louis A. | Rock Art Conservation and Protection at Indian Grinding Rocks State Historical Park, California: Some Initial Observations | 1 | 55-59 |
| Pilles, Jr., Peter J. | Public Education and the Management of Rock Art Sites on the Coconino National Forest | 1 | 23-34 |
| Riel-Salvatore, Julien | Limitations of Shamanistic Interpretive Models for southern Africa and Upper Paleolithic Rock Art | 5 | 93-100 |
| Ritter, Eric W. | The Bureau of Land Management and Rock Art: Protection, Conservation and Understanding in the 21st Century | 1 | 41-42 |
| Rolf, Stanton | Brownstone Canyon Archaeological District: A Cultural Resource Management Plan | 1 | 71-73 |
| Rowe, Marvin W. | Fresh Voices for Rock Art | 5 | ix-xii |
| Sells, Lorelei | Moving Mountains" to Provide Access to Rock Art: Multi-media Interpretation of the Hedgpeth Hills Petroglyph Site | 5 | 211-220 |
| Silver, Constance | Rock Art Conservation in the United States: Wish or Reality | 1 | 3-15 |
| Stanley Price, Nicholas | What Makes a Conservation Treatment Acceptable or Not? | 1 | 17-22 |
| Steelman, Karen L., and Marvin W. Rowe | Dating Pictographs: Independent Dates and Their Implications for Rock Art. | 5 | 17-26 |
| Swauger, James L. | Petroglyphs, Pictographs, and the Last Thirty Five Years | 2 | 3-6 |
| Wagner, Mark J. | Written in Stone: An Overview of the Rock Art of Illinois | 2 | 47-79 |
| Welsh, Peter H. | Commodification of Rock Art: An Inalienable Right | 3 | 29-37 |
| Wintcher, Amanda R. | Rock Art and Landscape in the Piñon Canyon Maneuver Site Southeast Colorado | 5 | 163-182 |